London Coliseum
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From the outset I was warned that this would be an unconventional opera; singing was paired with dance choreographed by Wayne McGregor, it was a modern adaptation and the two leads were both female. These were all things that I found made the production it more entertaining and inclusive for a younger audience.
The costume and set design were amazing. Set designer Lizzie Clachan and costume designer Louise Gray seamlessly blended technological elements with more period costumes. For instance, in Act 2 when Orpheus encounters the demons of the underworld, a massive static screen is used as well as glow in the dark costume, reminiscent of Greek togas, creating a sensory overload that leaves a profound impact on the audience and is visually stunning to watch.
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The quality of the song and dance is exceptional and since the opera is performed in English it makes it easier to understand, which would definitely be an advantage to a first time opera goer. Moreover, Alice Coote as Orpheus does a wonderful job at combining physicality (such as crawling around on the floor) with singing, therefore embodying the character in every aspect of her performance.
However, the actual storyline was quite difficult to pick up on; the action was slow paced or practically non-existent and I wouldn't have had any idea about what was going on if it wasn't for my previous knowledge of the myth and the program provided. And whilst Jacob O'Connell was indeed a stunning dancer, I didn't really understand what the significance of his character was and why he was on stage at some times.
Overall, this opera has many aspects that make it engaging to young people. I personally think that this particular production would be more suited to those who prefer abstract emotional theatre rather than action.